The God of Day Had Gone Down Upon Him 2000 film complet
This film of single-strand photography begins with the fire of reflective light on water and on the barest inferences of a ship. Throughout, the interwoven play of light and water tell the inferred tale of the film through rhythm, the tempo, through visible textures and forms in gradual evolution, through resultant moods generated by these modes of making, and, then, by the increasingly distant boat images, birds, animals, fleeting silhouettes of people and their artifacts, flotsam and jetsam of the sea-dead, as well as (near end, and almost as at a funeral) flowers in bloom, swallowed by darkness midst the crumbling of the sand castles.
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